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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180209T170000
DTEND;TZID=America/Los_Angeles:20180209T170000
DTSTAMP:20260424T034144
CREATED:20171215T193332Z
LAST-MODIFIED:20180111T185305Z
UID:4052-1518195600-1518195600@sfindie.com
SUMMARY:Film Fest Curators Panel
DESCRIPTION:FREE – Come and meet festival programmers from the vast\, varied and vital film festivals of the Bay Area.  If you ask the right question many film festival secrets with be revealed. \nRepresentatives invited to represent these awesome SF organizations/events: \nSFFILM\, Center for Asian American Media\, SF Jewish Film Festival\, Alamo Drafthouse\, SF MOMA\, SF Documentary Festival\, SF Green Film Festival\, Mill Valley Film Festival\, International Ocean Film Festival\, SF Black Film Festival\, Frameline\, Another Hole in the Head and SF Independent Film Festival \n 
URL:https://sfindie.com/fest/film-fest-curators-panel/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180209T190000
DTEND;TZID=America/Los_Angeles:20180209T190000
DTSTAMP:20260424T034144
CREATED:20171229T121820Z
LAST-MODIFIED:20180117T062310Z
UID:4256-1518202800-1518202800@sfindie.com
SUMMARY:Rabbit
DESCRIPTION:TICKETS for RABBIT at Roxie Fri Feb 9\, 7p HERE\nTICKETS for RABBIT at Roxie Mon Feb 12 915p HERE\n  \nDirector Luke Shanahan – 2017 Australia 99 min West Coast Premiere – SciFi Thriller \n  \nDespite being thousands of miles away\, Maude can still feel her abducted twin sister Cleo through what may be a psychic link in this Outback Noir anchored by dual performances from Adelaide Clemens. Exploiting prejudice and pseudo-science\, Shanahan crafts an unforgettable and unflinching portrait of attachment. \nRABBIT is a bold debut from writer/director Luke Shanahan who dives headfirst into a secret world\, dragging us with him and giving us little room to catch our breath. Every sequence is meticulously designed and full of tension. Anchored by a phenomenal performance from Adelaide Clemens who plays both twins\, RABBIT manages to avoid any distance that noir genre films often fall victim to. Maude is experiencing the same pain and terror that her sister is and finds herself in a dangerous situation with her only accomplices being two men who hate each other. \nWithout giving the story away\, this is a film that manages to be as psychologically frightening as physically. And Shanahan amplifies its tension with a cool hand in capturing visual portraits that can be either as visceral or as scientifically sterile as the scene requires\, all accentuated by an at times overbearing score that seems to oppress the action with its very soundscape. This is a confident film from a new director where the audience is always racing to keep up with the action but manages to dive in to the emotional struggle of the lead character. (Source: AMFM Magazine – Bears Fonte) \n –Bears Fonte \n\n 
URL:https://sfindie.com/fest/rabbit/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
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DTSTART;TZID=America/Los_Angeles:20180209T200000
DTEND;TZID=America/Los_Angeles:20180209T200000
DTSTAMP:20260424T034144
CREATED:20171116T005850Z
LAST-MODIFIED:20180110T053336Z
UID:4002-1518206400-1518206400@sfindie.com
SUMMARY:An Olympic Level Bad Art Show
DESCRIPTION:THE OPENING CEREMONIES OF THE OLYMPIC BAD ART GALLERY\n“THE OPENING CEREMONIES AT THE OLYMPIC BAD ART SHOW ARE AN EXTRAORDINARY AND INTRICATELY CHOREOGRAPHED EXTRAVAGANZA\, FEATURING AN AMAZING EXPLOSION OF COLOR AND MUSIC\, WHICH ALLOW THE HOST GALLERY SCOPE TO SHOWCASE ITS UNIQUENESS\, WHILE ADHERING TO VARIOUS PROTOCOLS THAT HAVE EVOLVED SINCE THE FIRST MODERN OLYMPIC BAD ART SHOW WAS HELD IN ATHENS IN 1896.” – International Olympic Committee \nThe Traditional Five Elements of the Opening Ceremony: \nARTISTIC PROGRAM: this one’s easy\, there’s lots of art \nPARADE OF NATIONS: the beverage table will have representatives from Russia\, Mexico\, the Caribbean\, England\, Kentucky and uh\, Petaluma on hand \nTRADITONAL EVENTS: a representative in traditional San Francisco Mission costuming will open the ceremonies \nOLYMPIC FLAME: outside on the sidewalk only\, please \nDOVES: seriously? doves? what do we need doves for? fine. ok. we’ll ask the DJ to play that Prince song \n\n \nA whole new collection of dumpster-dived art awaits at the February 2018 edition of the MISSION B.A.G. (Bad Art Gallery). Hilarious catalog notes\, paintings curated from only the finest flea markets\, thrift stores and back alleys. Complimentary beverages. Radio Valencia DJs provide the soundtrack. Night Flight vids on screen. 21up.\nCo-presented by radiovalencia.fm
URL:https://sfindie.com/fest/an-olympic-level-bad-art-show/
LOCATION:518 Valencia Gallery\, 518 Valencia St\, San Francisco\, 94110
CATEGORIES:Party
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DTSTART;TZID=America/Los_Angeles:20180209T211500
DTEND;TZID=America/Los_Angeles:20180209T211500
DTSTAMP:20260424T034144
CREATED:20171229T122825Z
LAST-MODIFIED:20180131T002451Z
UID:4265-1518210900-1518210900@sfindie.com
SUMMARY:TORMENTING THE HEN
DESCRIPTION:TICKETS for TORMENTING THE HEN at Roxie Fri Feb 9\, 915p HERE\nTICKETS for TORMENTING THE HEN at Roxie Tue Feb 13\, 915p HERE\n  \nDirector Theodore Collatos – 2017 USA 77 min Bay Area Premiere – Drama / LGBT \n  \nWhen playwright Claire (Dameka Hayes) is invited to set her latest political work at a rural theatre company\, her Brazilian fiancé Monica (Carolina Monnerat)\, tags along for a much-needed vacation. They soon encounter their mysterious and enigmatic neighbor Mutty (Matt Shaw) who has a gross lack of social boundaries and tensions start to increase exponentially. Monica’s hope for a quiet vacation\, and perhaps her very sanity\, are thrown into utter jeopardy.  –Jennifer Junkyard Morris \nDirector Statement \nThese days\, it seems words can be just as offensive as actions as we’re in a constant state of war\, civil unrest and social denial. \nTormenting The Hen is a response to the crossed wires and frayed emotions of our times. \nInstead of looking at this dissonance from an “us vs. them”\, micro vs. macro mentality\, the film gets in on the person to person to person level. I love the tense psychological chamber dramas of early Polanski and Bergman and I wanted to create a film in this mode while exploring characters at odds. \nA key question at the heart of our movie lies right there in the title: Just who is the hen and who is the tormentor? Then one must ask: Is there only one of each? And does it truly matter?  \nWITH \nWHEN I WAKE \nSarah M. Flores\, USA\, 2017\, 11 min \nSet after the election of a treacherous president\, WHEN I WAKE explores a society in which new public policy restricts women’s independence. \n  \n  \n\nCo-presented by FRAMELINE \n 
URL:https://sfindie.com/fest/tormenting-the-hen/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
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DTSTART;TZID=America/Los_Angeles:20180209T211500
DTEND;TZID=America/Los_Angeles:20180209T211500
DTSTAMP:20260424T034144
CREATED:20171229T123659Z
LAST-MODIFIED:20180117T062504Z
UID:4273-1518210900-1518210900@sfindie.com
SUMMARY:RON GOOSSENS\, LOW-BUDGET STUNTMAN
DESCRIPTION:TICKETS for RON GOOSSENS\, LOW-BUDGET STUNTMAN at Roxie Fri Feb 9\, 915p HERE\nTICKETS for RON GOOSSENS\, LOW-BUDGET STUNTMAN at Roxie Tue Feb 13\, 915p HERE\n  \nDirectors Steffen Haars & Flip Van der Kuil – 2017 Netherlands 83 min West Coast Premiere – Dark Comedy \n  \nAn overnight YouTube sensation finds himself embarking on a career falling off balconies and smashing cars all in hopes of bedding Dutch superstar and supermodel Bo Maerten and prove to his wife he’s ‘still got it.’ A surprising morality tale with a pure heart and a cornucopia of crazy characters. \nIn RON GOOSSENS\, LOW BUDGET STUNTMEN\, an overnight youtube sensation finds himself embarking on a career falling off balconies and smashing cars for money. This would be enough of a set-up for a great movie\, but Steffen Haars and Flip Van Der Kuil comedy finds Ron Goossens (Tim Haars) only at it to try to bed Dutch superstar and supermodel Bo Maerten\, to prove to his wife he’s ‘still got it.’ His wife actually threatens to leave him if he can’t do it\, after he discovers she has had sex with basically the entire town\, including all his friends. Able to recover quickly from his many stunts due mainly to being completely drunk all the time\, Goossens finds he has to quit drinking to make any headway with Maerten\, and when he does finally achieve a clear headed perspective\, he begins to wonder if his entire life has really amounted to anything (that he can actually remember). A surprising morality tale with a pure heart and a cornucopia of crazy characters\, RON GOOSSENS\, LOW BUDGET manages to actually charm in spite of the constant (and hilarious) intrusion of montage music courtesy of Dutch lounge-legend Dennie Christian which faux-charms at every instant. \n. –Bears Fonte \nTICKETS for RON GOOSSENS\, LOW-BUDGET STUNTMAN at Roxie Fri Feb 9\, 915p HERE\nTICKETS for RON GOOSSENS\, LOW-BUDGET STUNTMAN at Roxie Tue Feb 13\, 915p HERE\n 
URL:https://sfindie.com/fest/ron-goossens-low-budget-stuntman/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
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