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DTSTART;TZID=America/Los_Angeles:20180210T190000
DTEND;TZID=America/Los_Angeles:20180210T190000
DTSTAMP:20260403T163915
CREATED:20171229T131646Z
LAST-MODIFIED:20180117T063052Z
UID:4299-1518289200-1518289200@sfindie.com
SUMMARY:FOR NOW
DESCRIPTION:TICKETS for FOR NOW at Roxie Sat Feb 10\, 7p HERE\nTICKETS for FOR NOW at Roxie Wed Feb 14\, 915p HERE\n  \nDirector Hannah Barlow – 2017 USA 79 min Bay Area Premiere – Comedy / Drama \n  \nHannah\, an Australian ex-pat living in Los Angeles\, organizes an audition at the San Francisco Ballet Company for her younger brother Connor\, a professional dancer based in Europe. Both siblings are still grieving the death of their beloved parents while trying to build a future for themselves\, continents apart. Hannah’s boyfriend Kane and her best friend Katherine join them on their road trip up the Californian coast\, bypassing many wondrous sun-soaked sights… as well as their self-respect.  \nFor Now is a look at twenty-somethings adrift in the limbo between adolescence and adulthood\, grappling with the superficial connections that define their generation. Shot on the road over seven days on a shoestring budget and with entirely improvised performances based closely on the actors that play them. For Now blurs the line between reality and fiction in an attempt to find meaning in the relationships of four individuals and the sense of loss that overshadows them.- Jennifer Junkyard Morris \n\n 
URL:https://sfindie.com/fest/for-now/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180210T190000
DTEND;TZID=America/Los_Angeles:20180210T190000
DTSTAMP:20260403T163915
CREATED:20171229T130817Z
LAST-MODIFIED:20180206T165908Z
UID:4294-1518289200-1518289200@sfindie.com
SUMMARY:THE CALIFORNIA NO
DESCRIPTION:TICKETS for THE CALIFORNIA NO at Roxie Sat Feb 10\, 7p HERE\nTICKETS for THE CALIFORNIA NO at Roxie Mon Feb 12\, 915p HERE\n  \nDirector Ned Ehrbar – 2017 USA 84 min World Premiere – Comedy / Sexuality \n  \nDuring his first visit to couples therapy\, a Los Angeles writer discovers that he’s actually in an open marriage—or at least his wife is. The revelation sets off a series of events that upends his personal and professional life and forces him to reconsider everything about himself.  – Jennifer Junkyard Morris \nDirector Statement \nI didn’t invent the phrase “the California no\,” but I fell in love with it as soon as I heard it: The distinctly Angeleno method of rejecting someone by saying nothing at all — by ignoring emails\, not returning calls and simply waiting until the other person gets fed up or embarrassed enough to just leave it alone.  \nSimply put\, its guiding principle is conflict-avoidance\, something I’ve encountered plenty of in Los Angeles. So I’ve created a story where the conflict is created by characters trying way too hard to avoid conflict. A married couple discovers they’re on two very different pages about their relationship due to poor communication.  \nIt’s also a tongue-in-cheek indictment of straight white male entitlement. We’re following a hapless\, nearly useless beta-male as he makes terrible decision after terrible decision\, testing the patience of the diverse group of fully actualized adults around him. He expects a lot from the world with no good reason to.  \nMost of all\, for my first feature film I sought to present an authentic take on relationships and how people’s lives intersect\, for better or worse. I sincerely hope you enjoy it.   \n\n\n 
URL:https://sfindie.com/fest/the-california-no/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180210T190000
DTEND;TZID=America/Los_Angeles:20180210T190000
DTSTAMP:20260403T163915
CREATED:20171219T201102Z
LAST-MODIFIED:20180131T013819Z
UID:4065-1518289200-1518289200@sfindie.com
SUMMARY:Screenwriters Panel and Live Read
DESCRIPTION:Live reading from this year’s award winning screenplays plus panel discussion with working writers: Tony Dushane\, Sarah Kass\, Bears Fonte\, James Carlson.\nLive Read Scripts: Grace & Vengeance by James Carlson (scenes from the feature script) and Sergio and the Whale by Anna Kriegel (short script in its entirety).\nComplimentary drinks and nibbles.\nSat Feb 10\, 7p\, Free\, all ages.\n  \nSCREENPLAY READ:\nSERGIO AND THE WHALE (short\, presented in its entirety) \nGRACE AND VENGEANCE (feature\, 10 minute scene) \nPERFORMERS: Siobhan Doherty\, Rasheed Custer\, Maura Halloran\, James Roop \n  \nPANELISTS:\nTony DuShane is the author and screenwriter of Confessions of a Teenage Jesus Jerk. He hosted the long running radio show Drinks with Tony that included celebrity guests like Chelsea Handler\, Steve Buscemi\, Nick Cave\, Hal Harley\, and hundreds more since 2002. He developed a TV series with Hunting Lane Films that never went to air. His journalism and essays have appeared in the San Francisco Chronicle\, Mother Jones\, Penthouse\, and The Los Angeles Times. He teaches novel writing at UCLA Extension. \nSarah Kass is a seasoned storyteller specializing in independent documentaries and non-fiction television. She began her career as a producer and director before focusing primarily on writing. She has crafted award-winning documentaries that have aired on PBS\, Discovery Channel\, and The History Channel. She is also a scriptwriter and story consultant for independent filmmakers. Her work has screened at international film festivals and on public television.  Sarah has written multiple short-form scripts for non-broadcast venues including 30 short films for the Canadian Museum for Human Rights. She is currently working on several projects: two films about the incarceration of Japanese-Americans during World War II for the National Park Service; an Independent feature length documentary about legendary psychoanalyst Carl Jung; and three short films profiling grassroots environmental activists for the 2018 Goldman Environmental Prize. \nBears Fonté is a filmmaker\, festival programmer\, and journalist. His feature thriller iCRIME\, which he wrote and directed\, was released on DVD\, VOD by Breaking Glass in 2011.  His short film\, Roadside Assistance\, was selected for 70 festivals including Fantasia International Film Festival and Dances With Films. He read screenplays and wrote coverage for agencies and producers in Hollywood for three years before working as the Screenplay Contest Assistant at Austin Film Festival.  After a few months he was promoted to Director of Programming for the film festival and founded Other Worlds Austin SciFi Film Festival after he left.  He has been programming for SF Indiefest since 2015. \nJames Carlson currently resides in Hollywood and graduated from California State University with a degree in Radio/TV/Film. His screenplay Grace and Vengeance is currently in development\, producer attached\, and received the following awards: GRAND PRIZE WINNER of the 2018 SF Indie Screenplay Competition; FINALIST – Hollywood Int’l Screenwriting Competition; OFFICIAL SELECTION – Los Angeles International Screenplay Awards.  James’ other feature scripts include The Contract\, and Child Proof; Shorts include The Ice Cream Truck\, The Bellhop\, and The Honest Psychic. James proudly refers to himself as a Certified Film Fanatic and recently founded Goliath Films International.
URL:https://sfindie.com/fest/screenwriters-panel-and-live-read/
LOCATION:518 Valencia Gallery\, 518 Valencia St\, San Francisco\, 94110
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180210T170000
DTEND;TZID=America/Los_Angeles:20180210T170000
DTSTAMP:20260403T163915
CREATED:20171115T224835Z
LAST-MODIFIED:20180117T062907Z
UID:3933-1518282000-1518282000@sfindie.com
SUMMARY:KILL ME PLEASE
DESCRIPTION:TICKETS for KILL ME PLEASE at 518 Val Sat Feb 10\, 5p HERE\n  \nDirector Anita Rocha de Silveira – 2016 Brazil 101 min – IndieFest 2017 program note: \n  \nThe classic coming-of-age premise “You guys wanna go see a dead body?” from Stand By Me gets an update and twist as fifteen-year-old Bia becomes obsessed with a series of unsolved murders and the graveyard Facebook pages of the victims. Drawn into the world of darkness\, she finds more in common with the dead girls than her own group of friends.  Visually alluring\, it’s a refreshing\, unapologetic love letter to melancholic curiosity\, something every teen passes through. –Bears Fonte\, SF IndieFest \n \n\n\nABOUT INDIEFEST Year Nineteen \nDates: Feb 2-16\, 2017 \nVenues: Brava\, Roxie\, Alamo Drafthouse \nFeatures: 40  Shorts: 46  Parties: 8  Bands: 1 Total Films: 86  Total Films To Date: 1551.  \nWith: Jeff Ross\, Bears Fonte\, Chris Metzler\, Jon Gann\, Jennifer Junkyard Morris\, Joshua Moore\, Catie Roads\, Laureen Lulu Briggs\, Colin Johnson\, Nadja Mark\, Nina Ramos\, George Kaskanlian\, Robert Meyer\, Karen Larsen\, Fabian Falconett\, Mellissa Martin \nSponsors: Grants for the Arts\, Samuel Adams\, KQED\, sfstation.com\, Pusser’s Rum\, Distillery 209\, Tito’s Vodka\, Radio Valencia\, 107.7 the Bone\, KALX\, 48 Hills\, Tax Ninja\, Hotel Kabuki\, Bai\, Hotel Carlton\, goodhotel\, DoTheBay\, Hotel Rex\, Phoenix Hotel\, Hotel Metropolis\, Bawdy Caste\, SF Weekly\, Funcheap\, Brava Theater \nNOTES: We borrow Josh Moore from SFJFF and recruit short film pro Jon Gann to join the team. Lise Swenson tribute. The New Orleans style Second Line parade from Brava to the party is a blast. First Bingo show is a hit! The Firmament turn Fury Road into an art film with an amazing live electro soundtrack.
URL:https://sfindie.com/fest/kill-me-please/
LOCATION:CA
CATEGORIES:20 Year Retrospective,Feature Narrative
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180210T163000
DTEND;TZID=America/Los_Angeles:20180210T163000
DTSTAMP:20260403T163915
CREATED:20171229T130108Z
LAST-MODIFIED:20180117T062832Z
UID:4289-1518280200-1518280200@sfindie.com
SUMMARY:THE MANHATTAN FRONT
DESCRIPTION:TICKETS for THE MANHATTAN FRONT at Roxie Sat Feb 10\, 430p HERE\nTICKETS for THE MANHATTAN FRONT at Roxie Wed Feb 14 7p HERE\n  \nDirector Cathy Lee Crane – 2017 USA 89 min World Premiere – Drama / Musical / Historic \n  \nIn 1915\, a German saboteur comes to Manhattan and tries to co-opt the progressive labor movement push America into World War I. In this hybrid art film\, as history plays itself out between the staged and the archival\, fact and fiction unmask one another to tell a story of the corruption of America’s innocence. With music by the Bay Area’s fabulous Beth Custer. – Jennifer Junkyard Morris \n\n\nBoth screenings of The Manhattan Front will be preceded with live renditions of musical performances from the film led by the production’s San Francisco-based musicians. \n\n\n\n\nStarting at 4:00pm before the February 10 screening\, composer Beth Custer (clarinet\, bethcuster.com)\, will perform alongside Dave Scott (piano) and Scott Foster (guitar) from the Dave Len Scott Quartet (http://davelenscott.org). Before the February 14 screening\, starting at 6:30pm\, La Familia Pena-Govea (miguelgovea.com) will perform corridos and ballads for Valentine’s Day. \n\n\n  \nNoël Burch\, American film theorist: \nBack in the blessed seventies\, a goodly number of film-makers in Western Europe – mostly Britain but also Germany\, Belgium\, the Netherlands – working on the fringes of the Institution – which Christian Metz usefully defined as “meant to fill theatres\, not to empty them” – produced a sizable body of “experimental” but generally legible films deal- ing with history and radical politics. Alas\, like so much else from that era\, this tradition has been lost. Which is why I was enchanted to discover\, quite by accident\, the work of Cathy Lee Crane at a festival in Vienna some fifteen years ago. The Girl from Marseilles was an imaginary construction of what might have been the subjectivity of the “real Nadja” be- hind Breton’s fictional heroine\, both a critique of the Surrealist vision of women and a moving evocation of the écriture of the films of Man Ray\, Germaine Dulac. I have followed closely her development ever since: the evocations of the life of the French Catholic Marxist Simone Weil\, of Pasolini and his death… Fascinating films. But I had one reproach: why this obsession with Europe (my Europe!)\, why not look around you?  \nAnd after several years\, The Manhattan Front was her reply. It is undoubtedly her masterpiece. A shoe- string period movie was a challenge\, and Cathy met it with a maestria we can only salute. Her subject is complex\, an essential (tragic) episode in the history of the “American” left and a crucial moment in the progress of US women: set in Manhattan during WW1\, she evokes both the work of women in the munitions industry\, and the way the capitalist establishment used the war effort to destroy the most radical labor union your country has ever known\, the Industrial Workers of the World\, the “Wobblies”… This is a melodrama\, with German spies hiding bombs in cigars\, with German-American traitors… But Cathy’s approach to this complex material is resolutely experimental\, with brilliantly conceived visual metaphors and disconcerting juxtapositions. Which no doubt explains (along with the film’s unfashionable politics) the refusal from festivals around the world to program it. One can only congratulate the organizers of the San Francisco Independent Film Festival (a festival in the city of my birth) for their clairvoyance.  \nNoël Burch\nco-director with Alan Sekula on The Forgotten Space \nand with Thom Andersen on Red Hollywood\n15 December 2017 Paris\, France  \n\n 
URL:https://sfindie.com/fest/the-manhattan-front/
LOCATION:CA
CATEGORIES:Feature Narrative
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180210T163000
DTEND;TZID=America/Los_Angeles:20180210T163000
DTSTAMP:20260403T163915
CREATED:20171228T150239Z
LAST-MODIFIED:20180117T032413Z
UID:4240-1518280200-1518280200@sfindie.com
SUMMARY:Shorts 5: The Hustle
DESCRIPTION:Shorts 5: The Hustle: Dark Comedy Shorts \nGive us your tired\, your jaded\, your sellouts\, and your characters making unintentionally hilarious career choices: this program finds the dark humor in “making it.” 84 min. Contains sex and violence.  \nTICKETS for SHORTS 5 at Roxie Feb 10\, 430p HERE\nTICKETS for SHORTS 5 at Roxie Feb 13\, 7p HERE\n  \nMeryl Fuckin Streep \nAva Bogle \nUSA\, 5 min \nFor two young screenwriters\, a movie pitch takes a turn into the surreal. \n  \n  \nJeffrey \nJosh Alward \nUK\, 14 min \nJeffrey is an exotic dancer who is in it for the art. But with art comes struggle\, courage and cleaning houses between gigs. \n  \n  \n  \n  \n  \n  \n  \n  \nLaurels \nDavid Brundige \nUSA\, 7 min \nFrench director Pauline Sala’s sophomore film hasn’t had the same success as her first\, and so her Los Angeles premiere falls to the fledgling L.A. Art Film Festival. To make matter worse\, she learns that a strange short film director is sharing her hotel room in order to save the festival money. However\, this strange woman has a secret that Pauline will soon learn\, and won’t ever forget. \n  \nFunemployement \nEmily Abt  \nUSA\, 12 min \nIsaac is a sucky babysitter in Brooklyn whose true passion is comedy. Unfortunately for him\, he’s not that talented and he’s a tiny bit of an asshole. When a tinder date brings a new hottie into his life\, things are looking up but not for long. Isaac fills in at his roommates’ improv group and not only bombs but also offends everyone in the room. Will Isaac get his shit together? Probably not but maybe he’s not such a bad babysitter after all. \n  \nValentina \nMary Molina \nUSA\, 9 min \nDuring the hottest day ever recorded in human history\, a fastidious maid’s duties are interrupted when her vagina comes to life. \n  \n  \n  \n  \n  \n  \n  \n  \nPastries \nGianluca Manzetti \nItaly\, 17 min \nAugosto\, a typically self-absorbed actor\, has a big audition coming up\, so he enlists his girlfriend Annalisa in his usual good-luck ritual. But this time things don’t go quite so auspiciously. \n  \nThe Poet and the Professor \nAriel Kavoussi \nUSA\, 22 min \nA dark comedic short about Ariel\, an insecure writer tortured by her own desires. Ariel can’t seem to stop seeing “The Poet\,” an older\, volatile cinematographer who pursues his “art” while taking full advantage of his rich girlfriend’s beautiful New York apartment. Ariel also can’t stop herself from loving her own professor\, a depressed\, married\, struggling adjunct obsessed with postmodernism and addicted to pills. In this short film\, Ariel must overcome a proclivity for dysfunctional affairs to find a healthier\, more sustainable relationship. \n  \n  \n  \n  \n  \n  \n  \n 
URL:https://sfindie.com/fest/shorts-5-the-hustle/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Shorts Program
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180210T150000
DTEND;TZID=America/Los_Angeles:20180210T150000
DTSTAMP:20260403T163915
CREATED:20171115T223041Z
LAST-MODIFIED:20180117T062729Z
UID:3912-1518274800-1518274800@sfindie.com
SUMMARY:HARMONY AND ME
DESCRIPTION:TICKETS for HARMONY AND ME at 518 Val Sat Feb 10\, 3p HERE\n  \nDiector Robert Byington – 2010 USA 75 min – IndieFest 2010 program note: \n  \nHarmony (a hilarious\, wry Jutin Rice) is a charmingly quirky slacker in the depths of a yearlong post-breakup funk that shows no signs of abating. The highlights of his days are “chance” run-ins with his ex. When one such excursion leads him to a nasty discovery\, he decides its time to move on\, but a disasterous date with his neighbor might not be the ticket. In what New York Magazine calls “a raucous\, highly musical comedy\,” director Robert Byington establishes himself as a unique\, irreverent and highly entertaining voice in contemporary cinema. – Anita Monga\, SF IndieFest \n  \n\n\nABOUT INDIEFEST Year Twelve \nDates: Jan 29-Feb 18\, 2010 \nVenues: Film: Roxie; Music: DNA Lounge\, Thee Parkside\, Bottom of the Hill \nFeatures: 28  Shorts: 37  Parties: 3  Bands: 43 Total Films: 65  Total Films To Date: 970.  \nWith: Jeff Ross\, Fay Dearborn\, Anita Monga\, Holly Roach\, Kier-la Janisse\, Ilya Tovis\, John Paulson\, Rick Abruzzo\, Tia Mignonne\, Caitlin Curtin\, Romany\, Karen Larsen\, studio1500 \nSponsors: Grants for the Arts\, Bay Guardian\, Live 105\, Blue Angel Vodka\, Hotel Carlton\, Clubcard Printing\, studio1500\, Trummer Pils\, goodhotel\, Phoenix Hotel\, Hostelling International\, KUSF\, b-side\, FLAG Marketing\, Sugarbowl\, Talking House Records \nNOTES: We add a week-long multi-venue music festival with over 40 excellent bands. We learn three week long festivals are exhausting.
URL:https://sfindie.com/fest/harmony-and-me/
LOCATION:518 Valencia Gallery\, 518 Valencia St\, San Francisco\, 94110
CATEGORIES:20 Year Retrospective,Feature Narrative
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180210T140000
DTEND;TZID=America/Los_Angeles:20180210T140000
DTSTAMP:20260403T163915
CREATED:20171229T125251Z
LAST-MODIFIED:20180124T194835Z
UID:4282-1518271200-1518271200@sfindie.com
SUMMARY:RAMEN HEADS
DESCRIPTION:TICKETS for RAMEN HEADS at Roxie Sat Feb 10\, 2p HERE\nTICKETS for RAMEN HEADS at Roxie Tue Feb 13\, 7p HERE\n  \nDirector Koki Shigeno  – 2017 Japan 93 min California Premiere – Food/Documentary \n  \nConsidered an edible embrace\, comforting ephemera and an art form by master chefs and legions of fans\, ramen—the perfectly slurpable combination of broth and noodles—inspires umami poetry. Japan’s reigning king of ramen\, Osamu Tomita\, takes us into his kitchen\, where he shares recipes\, trade secrets and flavor philosophies.  Ramen Heads is a mouthwatering survey of culinary history\, famous restaurants and specialty ingredients\, all the while making a compelling case for finding Japan’s heart through its stomach.  \n– Chris Metzler \nCO-PRESENTED BY THE CENTER FOR ASIAN AMERICAN MEDIA \n  \n\n\n 
URL:https://sfindie.com/fest/ramen-heads/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Documentary
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180210T140000
DTEND;TZID=America/Los_Angeles:20180210T140000
DTSTAMP:20260403T163915
CREATED:20171228T144114Z
LAST-MODIFIED:20180117T032208Z
UID:4233-1518271200-1518271200@sfindie.com
SUMMARY:Shorts 3: The Best of Us
DESCRIPTION:Shorts 3: The Best of Us: Documentary Profiles \nFrom a kid boxer to an arborist prepping for the apocalypse\, these five unique people are making the most of their time. 87 min \nTICKETS for SHORTS 3 at Roxie Feb 7\, 7p HERE\nTICKETS for SHORTS 3 at Roxie Feb 10\, 2p HERE\n  \n \nBeyond the Plate: Eric Wolfinger \nAnton Lorimer\, USA\, 22 min \n“If you want to tell a human story\, the best place to start is at the table.”\nWatch as photographer Eric Wolfinger\, who’s been refered to as the Annie Leibovitz of food photography\, takes us on an incredible journey far beyond the kitchen’s reach to discover stories around the world while forging his own. \n  \nJesszilla \nEmily Sheskin\, USA\, 7 min \nJesselyn “Jesszilla” Silva is serious about boxing\, and at 10 years old trains seriously with dreams of becoming a professional fighter. Her father\, Pedro\, finds himself caught in between supporting her dream and worrying about her future as she tries to master a combat sport. \n  \n  \n  \n  \n  \n  \n  \n  \n  \nSeven Dates With Death \nMike Holland\, USA\, 11 min \nThe story of Moreese Bickham\, the oldest survivor of Death Row in the United States. Bickham describes why he was sent to Death Row\, his life on death row and how he was able to get out after almost four decades in prison. It is a story of grace\, redemption and forgiveness. \n  \nThe Tree Prophet \nChristian Schieder\, USA\, 29 min \nA poor and uneducated nursery man from Northern Michigan is sent back from heaven with a mission to save the world from global warming by cloning the worlds oldest and largest trees. \n  \n  \n \nThat’s My Boy \nAkhil Sathyan\, India\, 24 min \nThe successful and remarkable life of Sonu\, a trans activist from Kerala\, India \n  \n  \n  \n  \n  \n  \n 
URL:https://sfindie.com/fest/shorts-3-the-best-of-us-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Shorts Program
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180210T130000
DTEND;TZID=America/Los_Angeles:20180210T130000
DTSTAMP:20260403T163915
CREATED:20171115T223319Z
LAST-MODIFIED:20180117T062544Z
UID:3916-1518267600-1518267600@sfindie.com
SUMMARY:I AM A KNIFE WITH LEGS
DESCRIPTION:TICKETS for I AM A KNIFE WITH LEGS at 518 Val Sat Feb 10\, 1p HERE\n  \nDirector Bennet Jones – 2015 USA 90 min – IndieFest 2015 program note: \n  \nFirst his girlfriend dies in a suicide bombing. Then a fatwa is issued against him. And now international Europop star Bené’s eclair is weird. Seven years and hundreds of dollars in the making\, I Am a Knife With Legs is an underground cinema wonder. Utilizing random scribbled animation\, multiple Adobe After Effects freeware plug-ins and\, most importantly\, comedic timing of proportions rivaling Bené’s songwriting abilities\, it lacks anything resembling a dull moment— a rare occurrence when a film is this intentionally batshit weird. – Kier-la Janisse\, SF IndieFest \n  \n\n\nABOUT INDIEFEST Year Seventeen \nDates: Feb 5-19\, 2015 \nVenues: Brava\, Roxie\, Humanist Hall Oakland \nFeatures: 36  Shorts: 45  Parties: 6  Total Films: 81  Total Films To Date: 1377.  \nWith: Jeff Ross\, Mike Keegan\, Kier-la Janisse\, Jeff Giordano\, Chris Metzler\, Jay Wertzler\, Catie Roads\, Emily Hoover\, Nadja Mark\, Nina Ramos\, George Kaskanlian\, Sara Sherman\, Patricia Moran\, Karen Larsen\, studio1500 \nSponsors: Grants for the Arts\, SF Art Commission\, SF Weekly\, Tax Ninja\, Lagunitas\, Phoenix Hotel\, Hotel Kabuki\, Hotel Mark Twain\, Other Avenues\, sfstation.com\, Yelp\, Funcheap\, KQED\, Pusser’s Rum\, Tito’s Vodka\, Dark Horse Wine\, studio1500 \nNOTES: We try another pop up venue in Oakland. Kier-la’s last year. Mike Keegan joins the team for one year. Last hurrah attempt to bring back the Lebowski Party vibe from the old Cellspace events. Conspiracy of Beards performing at opening night at Brava was most successful attempt to have opening night party there after the film. KQED’s Film School Shorts comes on board as a sponsor.
URL:https://sfindie.com/fest/i-am-a-knife-with-legs/
LOCATION:CA
CATEGORIES:20 Year Retrospective,Feature Narrative
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180209T211500
DTEND;TZID=America/Los_Angeles:20180209T211500
DTSTAMP:20260403T163915
CREATED:20171229T123659Z
LAST-MODIFIED:20180117T062504Z
UID:4273-1518210900-1518210900@sfindie.com
SUMMARY:RON GOOSSENS\, LOW-BUDGET STUNTMAN
DESCRIPTION:TICKETS for RON GOOSSENS\, LOW-BUDGET STUNTMAN at Roxie Fri Feb 9\, 915p HERE\nTICKETS for RON GOOSSENS\, LOW-BUDGET STUNTMAN at Roxie Tue Feb 13\, 915p HERE\n  \nDirectors Steffen Haars & Flip Van der Kuil – 2017 Netherlands 83 min West Coast Premiere – Dark Comedy \n  \nAn overnight YouTube sensation finds himself embarking on a career falling off balconies and smashing cars all in hopes of bedding Dutch superstar and supermodel Bo Maerten and prove to his wife he’s ‘still got it.’ A surprising morality tale with a pure heart and a cornucopia of crazy characters. \nIn RON GOOSSENS\, LOW BUDGET STUNTMEN\, an overnight youtube sensation finds himself embarking on a career falling off balconies and smashing cars for money. This would be enough of a set-up for a great movie\, but Steffen Haars and Flip Van Der Kuil comedy finds Ron Goossens (Tim Haars) only at it to try to bed Dutch superstar and supermodel Bo Maerten\, to prove to his wife he’s ‘still got it.’ His wife actually threatens to leave him if he can’t do it\, after he discovers she has had sex with basically the entire town\, including all his friends. Able to recover quickly from his many stunts due mainly to being completely drunk all the time\, Goossens finds he has to quit drinking to make any headway with Maerten\, and when he does finally achieve a clear headed perspective\, he begins to wonder if his entire life has really amounted to anything (that he can actually remember). A surprising morality tale with a pure heart and a cornucopia of crazy characters\, RON GOOSSENS\, LOW BUDGET manages to actually charm in spite of the constant (and hilarious) intrusion of montage music courtesy of Dutch lounge-legend Dennie Christian which faux-charms at every instant. \n. –Bears Fonte \nTICKETS for RON GOOSSENS\, LOW-BUDGET STUNTMAN at Roxie Fri Feb 9\, 915p HERE\nTICKETS for RON GOOSSENS\, LOW-BUDGET STUNTMAN at Roxie Tue Feb 13\, 915p HERE\n 
URL:https://sfindie.com/fest/ron-goossens-low-budget-stuntman/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
ATTACH;FMTTYPE=image/jpeg:https://sfindie.com/wp-content/uploads/2017/12/RG-Still-31.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180209T211500
DTEND;TZID=America/Los_Angeles:20180209T211500
DTSTAMP:20260403T163915
CREATED:20171229T122825Z
LAST-MODIFIED:20180131T002451Z
UID:4265-1518210900-1518210900@sfindie.com
SUMMARY:TORMENTING THE HEN
DESCRIPTION:TICKETS for TORMENTING THE HEN at Roxie Fri Feb 9\, 915p HERE\nTICKETS for TORMENTING THE HEN at Roxie Tue Feb 13\, 915p HERE\n  \nDirector Theodore Collatos – 2017 USA 77 min Bay Area Premiere – Drama / LGBT \n  \nWhen playwright Claire (Dameka Hayes) is invited to set her latest political work at a rural theatre company\, her Brazilian fiancé Monica (Carolina Monnerat)\, tags along for a much-needed vacation. They soon encounter their mysterious and enigmatic neighbor Mutty (Matt Shaw) who has a gross lack of social boundaries and tensions start to increase exponentially. Monica’s hope for a quiet vacation\, and perhaps her very sanity\, are thrown into utter jeopardy.  –Jennifer Junkyard Morris \nDirector Statement \nThese days\, it seems words can be just as offensive as actions as we’re in a constant state of war\, civil unrest and social denial. \nTormenting The Hen is a response to the crossed wires and frayed emotions of our times. \nInstead of looking at this dissonance from an “us vs. them”\, micro vs. macro mentality\, the film gets in on the person to person to person level. I love the tense psychological chamber dramas of early Polanski and Bergman and I wanted to create a film in this mode while exploring characters at odds. \nA key question at the heart of our movie lies right there in the title: Just who is the hen and who is the tormentor? Then one must ask: Is there only one of each? And does it truly matter?  \nWITH \nWHEN I WAKE \nSarah M. Flores\, USA\, 2017\, 11 min \nSet after the election of a treacherous president\, WHEN I WAKE explores a society in which new public policy restricts women’s independence. \n  \n  \n\nCo-presented by FRAMELINE \n 
URL:https://sfindie.com/fest/tormenting-the-hen/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
ATTACH;FMTTYPE=image/jpeg:https://sfindie.com/wp-content/uploads/2017/12/CarolinaMonneratTTH_FM_090916.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180209T200000
DTEND;TZID=America/Los_Angeles:20180209T200000
DTSTAMP:20260403T163915
CREATED:20171116T005850Z
LAST-MODIFIED:20180110T053336Z
UID:4002-1518206400-1518206400@sfindie.com
SUMMARY:An Olympic Level Bad Art Show
DESCRIPTION:THE OPENING CEREMONIES OF THE OLYMPIC BAD ART GALLERY\n“THE OPENING CEREMONIES AT THE OLYMPIC BAD ART SHOW ARE AN EXTRAORDINARY AND INTRICATELY CHOREOGRAPHED EXTRAVAGANZA\, FEATURING AN AMAZING EXPLOSION OF COLOR AND MUSIC\, WHICH ALLOW THE HOST GALLERY SCOPE TO SHOWCASE ITS UNIQUENESS\, WHILE ADHERING TO VARIOUS PROTOCOLS THAT HAVE EVOLVED SINCE THE FIRST MODERN OLYMPIC BAD ART SHOW WAS HELD IN ATHENS IN 1896.” – International Olympic Committee \nThe Traditional Five Elements of the Opening Ceremony: \nARTISTIC PROGRAM: this one’s easy\, there’s lots of art \nPARADE OF NATIONS: the beverage table will have representatives from Russia\, Mexico\, the Caribbean\, England\, Kentucky and uh\, Petaluma on hand \nTRADITONAL EVENTS: a representative in traditional San Francisco Mission costuming will open the ceremonies \nOLYMPIC FLAME: outside on the sidewalk only\, please \nDOVES: seriously? doves? what do we need doves for? fine. ok. we’ll ask the DJ to play that Prince song \n\n \nA whole new collection of dumpster-dived art awaits at the February 2018 edition of the MISSION B.A.G. (Bad Art Gallery). Hilarious catalog notes\, paintings curated from only the finest flea markets\, thrift stores and back alleys. Complimentary beverages. Radio Valencia DJs provide the soundtrack. Night Flight vids on screen. 21up.\nCo-presented by radiovalencia.fm
URL:https://sfindie.com/fest/an-olympic-level-bad-art-show/
LOCATION:518 Valencia Gallery\, 518 Valencia St\, San Francisco\, 94110
CATEGORIES:Party
ATTACH;FMTTYPE=image/png:https://sfindie.com/wp-content/uploads/2017/11/EVENT_BadArtScreen_1920x1080.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180209T190000
DTEND;TZID=America/Los_Angeles:20180209T190000
DTSTAMP:20260403T163915
CREATED:20171229T121820Z
LAST-MODIFIED:20180117T062310Z
UID:4256-1518202800-1518202800@sfindie.com
SUMMARY:Rabbit
DESCRIPTION:TICKETS for RABBIT at Roxie Fri Feb 9\, 7p HERE\nTICKETS for RABBIT at Roxie Mon Feb 12 915p HERE\n  \nDirector Luke Shanahan – 2017 Australia 99 min West Coast Premiere – SciFi Thriller \n  \nDespite being thousands of miles away\, Maude can still feel her abducted twin sister Cleo through what may be a psychic link in this Outback Noir anchored by dual performances from Adelaide Clemens. Exploiting prejudice and pseudo-science\, Shanahan crafts an unforgettable and unflinching portrait of attachment. \nRABBIT is a bold debut from writer/director Luke Shanahan who dives headfirst into a secret world\, dragging us with him and giving us little room to catch our breath. Every sequence is meticulously designed and full of tension. Anchored by a phenomenal performance from Adelaide Clemens who plays both twins\, RABBIT manages to avoid any distance that noir genre films often fall victim to. Maude is experiencing the same pain and terror that her sister is and finds herself in a dangerous situation with her only accomplices being two men who hate each other. \nWithout giving the story away\, this is a film that manages to be as psychologically frightening as physically. And Shanahan amplifies its tension with a cool hand in capturing visual portraits that can be either as visceral or as scientifically sterile as the scene requires\, all accentuated by an at times overbearing score that seems to oppress the action with its very soundscape. This is a confident film from a new director where the audience is always racing to keep up with the action but manages to dive in to the emotional struggle of the lead character. (Source: AMFM Magazine – Bears Fonte) \n –Bears Fonte \n\n 
URL:https://sfindie.com/fest/rabbit/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
ATTACH;FMTTYPE=image/jpeg:https://sfindie.com/wp-content/uploads/2017/12/Rabbit_day11_1257-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180209T170000
DTEND;TZID=America/Los_Angeles:20180209T170000
DTSTAMP:20260403T163915
CREATED:20171215T193332Z
LAST-MODIFIED:20180111T185305Z
UID:4052-1518195600-1518195600@sfindie.com
SUMMARY:Film Fest Curators Panel
DESCRIPTION:FREE – Come and meet festival programmers from the vast\, varied and vital film festivals of the Bay Area.  If you ask the right question many film festival secrets with be revealed. \nRepresentatives invited to represent these awesome SF organizations/events: \nSFFILM\, Center for Asian American Media\, SF Jewish Film Festival\, Alamo Drafthouse\, SF MOMA\, SF Documentary Festival\, SF Green Film Festival\, Mill Valley Film Festival\, International Ocean Film Festival\, SF Black Film Festival\, Frameline\, Another Hole in the Head and SF Independent Film Festival \n 
URL:https://sfindie.com/fest/film-fest-curators-panel/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180208T211500
DTEND;TZID=America/Los_Angeles:20180208T211500
DTSTAMP:20260403T163915
CREATED:20171222T221152Z
LAST-MODIFIED:20180125T221121Z
UID:4181-1518124500-1518124500@sfindie.com
SUMMARY:GINGER NATION
DESCRIPTION:TICKETS for GINGER NATION at Roxie Sun Feb 4\, 7p HERE\nTICKETS for GINGER NATION at Roxie Thu Feb 8\, 915p HERE\n  \nDirectors Jonathan Soja and Shawn Hitchins – 2017 Canada 56 min West Coast Premiere – Comedy/Documentary \n  \nRedheads are hot and fiery gay comic Shawn Hitchins has made flame-haired world domination his mission.  He verges on Spalding Gray in this intimate concert filming of his internationally acclaimed and award-winning comedy\, Ginger Nation.  This humorous and heartfelt one-man show has the affable entertainer recounting his experience as a sperm donor to his lesbian friends. Hitchins’ spunky storytelling effortlessly weaves tales from his adolescence and his brushes with celebrity as a stand-up comic with bizarre tales of turkey basters and masturbating in increasingly suspect bathrooms.. – Chris Metzler \nCo-presented by FRAMELINE \nPlays with:  \nSQUIRRELS DON’T JUDGE \nRoz Greenfield\, USA\, 25 min \nMorgan Ruzzo\, a transgender\, lesbian in her 60s\, is a stand-up comedian and storyteller who lives in San Francisco with her fiancee Sharon. Ehsan Mafi is an Iranian-American Shia Muslim\, who is very dedicated to his Muslim faith. He lives in San Francisco\, working in tech while developing his skills as a stand-up comic. The documentary follows Ehsan and Morgan as they get to know each other\, and learn about themselves. Does stand-up comedy bridge these differences while respecting diversity? \n  \n\n\n 
URL:https://sfindie.com/fest/ginger-nation-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Documentary
ATTACH;FMTTYPE=image/jpeg:https://sfindie.com/wp-content/uploads/2017/12/Ginger-Nation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180208T190000
DTEND;TZID=America/Los_Angeles:20180208T190000
DTSTAMP:20260403T163915
CREATED:20171222T193043Z
LAST-MODIFIED:20180117T044801Z
UID:4128-1518116400-1518116400@sfindie.com
SUMMARY:FAR WESTERN
DESCRIPTION:TICKETS for FAR WESTERN at Roxie Sat Feb 3\, 2p HERE\nTICKETS for FAR WESTERN at Roxie Thu Feb 8\, 7p HERE\n  \nDirector James D. Payne – 2017 Japan 93 min California Premiere – Music/Documentary  \n  \nAmid the ashes of post-WWII Japan\, the bittersweet sounds of American traditional country music drifted through the radio airwaves. Although intended for the U.S. occupying forces\, a vast ‘ghost audience’ of young Japanese quickly warmed to the soothing\, yet foreign\, sounds.  \nSince falling in love with the music in the 1950’s\, Charlie Nagatani has lived to play and spread country music throughout Japan. From his hometown of Kumamoto in southern Japan\, Charlie operates a family-run honky tonk named Good Time Charlie’s and is the promoter of the largest country music festival in Japan\, Country Gold.   \nFar Western illuminates this lost chapter of music as the musicians’ journey from Japan to the heart of American music culture. Over seventy years later this American music tradition has been transformed into something distinctly Japanese. – Chris Metzler \n\n 
URL:https://sfindie.com/fest/far-western-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Documentary
ATTACH;FMTTYPE=image/jpeg:https://sfindie.com/wp-content/uploads/2017/12/FAR-WESTERN-.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180208T190000
DTEND;TZID=America/Los_Angeles:20180208T190000
DTSTAMP:20260403T163915
CREATED:20171222T190730Z
LAST-MODIFIED:20180117T044720Z
UID:4110-1518116400-1518116400@sfindie.com
SUMMARY:WITHDRAWN
DESCRIPTION:TICKETS for WITHDRAWN at Roxie Fri Feb 2\, 915p HERE\nTICKETS for WITHDRAWN at Roxie Thu Feb 8\, 7p HERE\n  \nDirector Adrian Murray -2017 USA 74 min Bay Area Premiere – Drama / Youth \n  \nBroke\, basement-dwelling\, millennial Aaron (Aaron Keogh) spends his days mostly alone. He preoccupies himself by playing video games\, trying to solve a Rubik’s Cube\, tending to a dying plant and soloing on a duct-taped Rock Band drum set. Constantly dodging and talking his way out of his roommate’s requests for rent\, Aaron is also trying to find ways to pay bills that he can’t afford. When he finds a lost credit card\, Aaron decides to hatch a defrauding scheme. \nDirector Adrian Murray’s first feature film is somewhat of a dry farce that manages to be both entertaining and subdued. Keogh has brilliant timing and a knack for physical comedy as the unhurried and mostly unperturbed Aaron\, who fumbles while trying to do the occasional\, perfunctory fast-talking and performs antic after antic\, like participating in one of those viral internet challenge videos\, more messing around on a Rubik’s Cube and a little bit of credit card fraud.- Jennifer Junkyard Morris \n\n 
URL:https://sfindie.com/fest/withdrawn-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
ATTACH;FMTTYPE=image/jpeg:https://sfindie.com/wp-content/uploads/2017/12/Withdrawn.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180207T211500
DTEND;TZID=America/Los_Angeles:20180207T211500
DTSTAMP:20260403T163915
CREATED:20171222T214939Z
LAST-MODIFIED:20180125T221254Z
UID:4170-1518038100-1518038100@sfindie.com
SUMMARY:RUMINATIONS
DESCRIPTION:TICKETS for RUMINATIONS at Roxie Sun Feb 4\, 430p HERE\nTICKETS for RUMINATIONS at Roxie Sun Wed Feb 7\, 915p HERE\n  \nDirector Robert James – 2018 USA 78 min World Premiere\, Local Filmmaker – Documentary/GLBT \n  \nA gender-bending coming-of-age story of Rumi Missabu\, the iconoclast co-founder of San Francisco’s infamous Cockettes.  He left Hollywood 50 years ago on a quest for his true identity and found it in underground drag theater.  Explore SF’s queer art past through his lurid tales in and out of the spotlight as he reinvents himself at the end of his life.   \nLiving off the grid from the age of 19\, Rumi was a short-order cook\, cleaned houses\, and lived all over the country\, amassing crazy adventures along the way.  Ruminating about his encounters with everyone from Tina Turner to Jane Russell\, Andy Warhol\, Cindy Williams and more\, Ruminations uncovers the man\, James Bartlett\, underneath the artist Rumi Missabu.  Breaking down the fourth wall the film takes the audience on the surreal adventure that is Rumi’s story. – Chris Metzler \nCo-presented by FRAMELINE \n\n 
URL:https://sfindie.com/fest/ruminations-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Documentary
ATTACH;FMTTYPE=image/jpeg:https://sfindie.com/wp-content/uploads/2017/12/RUMINATIONS-Robert-James.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180207T211500
DTEND;TZID=America/Los_Angeles:20180207T211500
DTSTAMP:20260403T163915
CREATED:20171222T192213Z
LAST-MODIFIED:20180117T044434Z
UID:4120-1518038100-1518038100@sfindie.com
SUMMARY:SEQUENCE BREAK
DESCRIPTION:TICKETS for SEQUENCE BREAK at Roxie Fri Feb 2\, 915p HERE\nTICKETS for SEQUENCE BREAK at Roxie Wed Feb 7\, 915p HERE\n  \nDirector Graham Skipper – 2017 USA 80 min Northern California Premiere – SciFi Horror  \nA loner who restores arcade games finds the monotony of life broken when a gamer girl steps into his shop\, the same day a mysterious arcade cabinet shows up. As his romance flourishes\, so does his obsession with the game\, creating a man/machine carnal contact of the Cronenbergian kind. \nThe story of boy meets girl\, boy ignores girl for arcade game\, arcade game has sex with boy\, arcade game has sex with girl\, boy…. well\, I don’t want to ruin it. But seriously\, there is some weird shoit that goes down in this film. Chase Williamson (BEYOND THE GATES\, JOHN DIES AT THE END) stars as Oz\, a loner who excels at rebuilding and restoring ’80s arcade games. The shop that has served as the focal point is about to close and Oz has basically done nothing with his life\, and has next to no human interaction. Then Tess (Fabianne Theresa\, SOUTHBOUND\, JOHN DIES AT THE END) comes into the shop and everything changes. Oh\, her and the mysterious game that arrives without any instructions or provenance. Just as Oz and Tess’s romance flourishes\, so does his obsession with the cryptic game. As Oz plays\, he feels himself drawn more and more into the images flashing across the screen\, in an almost sexual way. No\, it’s not almost. This is man/machine carnal contact of the Cronenbergian kind. \nSEQUENCE BREAK is the kind of film that at its core is a simple story\, but its ability to transport you into another plane of existence through the sheer provocativeness of its imagery means the film continues to chill you long after its running time. Armed with an incredible 8-bit meets John Carpenter inspired soundtrack\, Skipper’s film makes out like a much darker version of Tron\, but instead of trying to get out of ‘gameland\,’ the game is seems trying to get a foothold in our world. A ‘sequence break\,’ in common usage\, involves the player of a video game finding a way to beat the way outside of the developer’s intention\, basically taking advantage of a glitch or exploiting an inadvertent hole in the world of the game. In the game\, Oz may just have found the sequence break for his own life. (Source: AMFM Magazine – Bears Fonte) \n –Bears Fonte \nPlays with:  \n \nPROGRAM \nGabriel de Urioste\, USA\, 8 min \nA young woman goes back to fix a broken relationship with a lost love. \n  \n  \n\n  \n  \n  \n\n 
URL:https://sfindie.com/fest/sequence-break/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
ATTACH;FMTTYPE=image/png:https://sfindie.com/wp-content/uploads/2017/12/Sequence-Break-5.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180207T190000
DTEND;TZID=America/Los_Angeles:20180207T190000
DTSTAMP:20260403T163915
CREATED:20171228T144017Z
LAST-MODIFIED:20180117T005408Z
UID:4230-1518030000-1518030000@sfindie.com
SUMMARY:Shorts 3: The Best of Us
DESCRIPTION:Shorts 3: The Best of Us: Documentary Profiles \nFrom a kid boxer to an arborist prepping for the apocalypse\, these five unique people are making the most of their time. 87 min \nTICKETS for SHORTS 3 at Roxie Feb 7\, 7p HERE\nTICKETS for SHORTS 3 at Roxie Feb 10\, 2p HERE\n  \n \nBeyond the Plate: Eric Wolfinger \nAnton Lorimer\, USA\, 22 min \n“If you want to tell a human story\, the best place to start is at the table.”\nWatch as photographer Eric Wolfinger\, who’s been refered to as the Annie Leibovitz of food photography\, takes us on an incredible journey far beyond the kitchen’s reach to discover stories around the world while forging his own. \n  \n  \nJesszilla \nEmily Sheskin\, USA\, 7 min \nJesselyn “Jesszilla” Silva is serious about boxing\, and at 10 years old trains seriously with dreams of becoming a professional fighter. Her father\, Pedro\, finds himself caught in between supporting her dream and worrying about her future as she tries to master a combat sport. \n  \n  \n  \n  \n  \n  \n  \n  \n  \nSeven Dates With Death \nMike Holland\, USA\, 11 min \nThe story of Moreese Bickham\, the oldest survivor of Death Row in the United States. Bickham describes why he was sent to Death Row\, his life on death row and how he was able to get out after almost four decades in prison. It is a story of grace\, redemption and forgiveness. \n  \nThe Tree Prophet \nChristian Schieder\, USA\, 29 min \nA poor and uneducated nursery man from Northern Michigan is sent back from heaven with a mission to save the world from global warming by cloning the worlds oldest and largest trees. \n  \n  \n \nThat’s My Boy \nAkhil Sathyan\, India\, 24 min \nThe successful and remarkable life of Sonu\, a trans activist from Kerala\, India \n  \n  \n  \n  \n  \n  \n 
URL:https://sfindie.com/fest/shorts-3-the-best-of-us/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Shorts Program
ATTACH;FMTTYPE=image/jpeg:https://sfindie.com/wp-content/uploads/2017/12/Thatsmyboy-Stills-01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180207T190000
DTEND;TZID=America/Los_Angeles:20180207T190000
DTSTAMP:20260403T163915
CREATED:20171222T223131Z
LAST-MODIFIED:20180117T044252Z
UID:4191-1518030000-1518030000@sfindie.com
SUMMARY:BETWEEN LAND AND SEA
DESCRIPTION:TICKETS for BETWEEN LAND AND SEA at Roxie Wed Feb 7\, 7p HERE\nTICKETS for BETWEEN LAND AND SEA at Roxie Sun Feb 11\, 2p HERE\n  \nDirector Ross Whitaker – 2017 Ireland 87 min West Coast Premiere – Adventure/Documentary \n  \nGet ready for an adrenaline high and take a plunge into the ice cold waters of the North Atlantic.  This observational documentary embeds itself in the big wave surf community of an Irish surf town to present a thoroughly engaging and visually stunning portrait of life at land’s end. Living in tune with nature far from busy urban environments is massively challenging but ultimately rewarding in this immersive portrait of a people and a place. – Chris Metzler
URL:https://sfindie.com/fest/4191/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Documentary
ATTACH;FMTTYPE=image/png:https://sfindie.com/wp-content/uploads/2017/12/BETWEEN-LAND-AND-SEA-Ross-Whitaker.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180206T211500
DTEND;TZID=America/Los_Angeles:20180206T211500
DTSTAMP:20260403T163915
CREATED:20171222T221937Z
LAST-MODIFIED:20180117T044207Z
UID:4186-1517951700-1517951700@sfindie.com
SUMMARY:THE ICARUS LINE MUST DIE
DESCRIPTION:TICKETS for THE ICARUS LINE MUST DIE at Roxie Sun Feb 4\, 915p HERE\nTICKETS for THE ICARUS LINE MUST DIE at Roxie Tue Feb 6\, 915p HERE\n  \nDirector Michael Grodner – 2017 USA 82 min Bay Area Premiere – Music/Narrative \n  \nFifteen years ago the band\, Icarus Line\, was rocketing to the top of the LA underground with a hot debut album and a major-label deal. Now frontman Joe Cardamone is 36 and broke\, and the record companies won’t touch his new stuff. Plus\, he’s getting death threats by text. Cardamone and director Michael Grodner wrote the script and plays a thinly veiled version of himself in this No Wave-style noir about navigating the modern music biz\, co-starring fellow musicians Ariel Pink and Keith Morris (Circle Jerks). The screening will also feature a live musical performance by Joe Cardamone and Annie Hardy. – Chris Metzler
URL:https://sfindie.com/fest/the-icarus-line-must-die-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
ATTACH;FMTTYPE=image/jpeg:https://sfindie.com/wp-content/uploads/2017/12/Icarus_PHOTO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180206T211500
DTEND;TZID=America/Los_Angeles:20180206T211500
DTSTAMP:20260403T163915
CREATED:20171222T220225Z
LAST-MODIFIED:20180117T044130Z
UID:4176-1517951700-1517951700@sfindie.com
SUMMARY:HOLDEN ON
DESCRIPTION:TICKETS for HOLDEN ON at Roxie Sun Feb 4\, 7p HERE\nTICKETS for HOLDEN ON at Roxie Tue Feb 6 915p HERE\n  \nDirector Tamlin Hall – 2017 USA 101 min Bay Area Premiere – Drama / Youth \n  \nNo longer your average boy-next-door\, Holden Layfield weaves audiences through his harrowing tale in this film set in the early 1990s. After succumbing to a secret battle with mental illness\, Holden evolves from a beloved\, small town Georgia football player to a lost\, self-medicating prophet. Based on a true story about dual diagnosis. – Jennifer Junkyard Morris \nDirector Statement \nI KNEW HOLDEN…\nBecause we grew up together in small-town Georgia. He was “that” guy everyone liked\, even teachers. He was friendly. He was cool. He accepted you for who you were\, not who you weren’t. Whether you were popular or not\, as in my case\, Holden treated everyone as a friend. As one of the “fat” kids growing up\, I was routinely bullied. Holden always looked past my stigma and treated me like an ally rather than an enemy. Looking back\, I’m sure you had a “Holden” at your school. So\, it was an utter shock that autumn afternoon my junior year when I found out Holden died by suicide. He was 19 years old. It wasn’t until I set out to write a paper about Holden in my psychology class senior year did I learn about the secret behind Holden’s smile. His facade masked a story that dealt with mental illness and self-medication. Ten years after that psychology class project\, I asked Bob & Brenda Layfield if I could write a screenplay about their son. They said yes. I am forever grateful. \nWe currently have an award-winning lm\, “Holden On\,” and a high school art initiative\, iAmHoldenOn\, that uses Holden’s humanity to spark social change. I believe we can use our voice through art to help discuss mental health and suicide. And I believe we can save some lives while we’re at it. Let’s be the ally. \nMy name is Tamlin Hall and #iAmHoldenOn
URL:https://sfindie.com/fest/holden-on-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180206T190000
DTEND;TZID=America/Los_Angeles:20180206T190000
DTSTAMP:20260403T163915
CREATED:20171228T142547Z
LAST-MODIFIED:20180117T004929Z
UID:4228-1517943600-1517943600@sfindie.com
SUMMARY:Shorts 2: An Animated World
DESCRIPTION:Shorts 2: An Animated World showcases a wide variety of animation from around the world. \nTICKETS for SHORTS 2 at Roxie Feb 3\, 430p HERE\nTICKETS for SHORTS 2 at Roxie Feb 6\, 7p HERE\n  \n  \nFramed \nMarco Jemolo\, Italy\, 7 min \nFRAMED is a noir animated short-film\, which explores the sensitive subject of alienation in society. \n  \n  \n  \n  \n  \n  \n  \n \nThe Realm of Deepest Knowing \nSeung Hee Kim\, Korea\, 4 min \nOne digs beneath the surface of the other to reach the deepest place of his heart during struggles. It lightens up the darkness. They fulfill one another within the sense of oneness. \n  \n  \nWhen Comes the Rain \nBrian Giovanni\, USA\, 2 min \nThe local birdbath is empty\, and the hot sun won’t let up. An ambitious bird gathers his flock to bring the rain down upon them. But how far will he go to get what he wants? \n  \n  \n  \n  \nHomegrown \nQuentin Haberham\, UK\, 9 min \nFrancis raises his son Kip in isolation. When the boy outgrows his father’s protective confines\, Francis learns that what is right for himself may not be best for his son. \n  \n  \n  \n  \n  \n  \n  \n  \n  \nStillpoint \nBenjamin Ridgway\, USA\, 2 min \nAn elusive point of stillness in a shifting and expanding world. \n  \n  \n  \nOh My… \nTim Ballard\, USA\, 3 min \nA post-apocalyptic dream journey and promise of rebirth through imagination. \n  \n  \n  \n  \nSpace Butthole \nDavid Chai\, USA\, 8 min \nIn the annals of mankind\, we will realize that humans have been mistreating Mother Nature for far too long. It was only a matter of time before the universe blasted back. Please join us in experiencing a warning from the deepest bowels of the galaxy. Can humanity squeeze out a solution before it goes to pot? Don’t stall to find out! \n  \n  \n  \n  \nYellow and Red Make Orange \nJay Hollinsworth\, USA\, 5 min \nAn illegal prairie cockfight is the setting for an autobiographical reminiscence about the struggle to find place and peace in the rural west of the 1970’s. Yellow and Red Make Orange exists as the emotional memory of a childhood spent contending with men created and shaped by the frontier myth. \n  \n  \n  \n  \n  \n  \n  \n  \nThe Servant \nFarnoosh Abedi\, Iran\, 9 min \nA bug became servant\,servant became master  \n  \n  \n  \n  \n  \nCeci N’est Pas une Animation \nFederico Kempke\, Canada\, 5 min \nA group of pretentious animators are followed through the process of creating the “ultimate animated film”. But do they really have the skills to back up their claims? \n  \n  \n  \nMeeting MacGuffin \nCatya Plate\, USA\, 10 min \nIn a post-apocalyptic future where humanity has fallen apart\, a group of scientists and an animated sign complete the construction of a new human race and meet a groundhog climatologist who prepares them for their mission to restore balance to the decimated Earth. \n  \n  \n  \n  \n  \n  \n  \n  \nCITIPATI \nAndreas Feix\, Germany\, 7 min \nAfter being subjected to a cataclysmic meteorite impact\, a small dinosaur attempts to battle the horrific aftermath both physically & psychologically. A tale about life\, death & rebirth\, told from a unique\, prehistoric perspective. \n  \n  \n  \n  \n  \nThe Alligator Hunter \nKyle V. James\, USA\, 4 min \nAfter losing his wife in a traumatic attack\, an elderly hunter seeks revenge on the culprit: a massive albino alligator. Months of waiting for the creature to resurface turns his grief into a desperate obsession. However\, when the hunter finally has the chance to kill the alligator and obtain catharsis\, he feels an unexpected bond. In the monster’s eyes\, he sees his wife looking back. Reunited with his love\, the hunter decides to leave the safety of his boat and swim with the alligator. \n  \n  \n  \n  \n  \n  \n  \n  \nFreedom \nKathrin Steinbacher\, UK\, 3 min \nStriving for a professional skiing career means you are going to be subjected to great pressure. The main character\, is struggling to find his place in the world after giving up his career as a potential professional skier. This animated documentary explores how high expectations can lead to frustration and anxiety. \n  \n  \n  \n  \n  \n  \nSeine’s Breath \nBethanie Montano\, Australia\, 3 min \nThe face of an unknown young woman influences history after her death. \n  \n  \n  \n  \n 
URL:https://sfindie.com/fest/shorts-2-an-animated-world-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Shorts Program
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180206T190000
DTEND;TZID=America/Los_Angeles:20180206T190000
DTSTAMP:20260403T163915
CREATED:20171222T194144Z
LAST-MODIFIED:20180117T044047Z
UID:4133-1517943600-1517943600@sfindie.com
SUMMARY:THE S WORD
DESCRIPTION:TICKETS for THE S WORD at Roxie Sat Feb 3\, 430p HERE\nTICKETS for THE S WORD at Roxie Tue Feb 6\, 7p HERE\n  \nDirector Lisa J. Klein – 2017 USA 93 min Bay Area Premiere – Documentary \n\nThis powerful documentary explores one of the most feared and misunderstood topics in the human experience – suicide.  Putting a human face to the subject\, the film shares the stories of those with lived experience – people who have attempted to take their own lives and survived to tell their stories.  Capturing personal revelations and surprising moments of humor\, The S Word opens a door on this most taboo of subjects through the eyes of the people who have been there and are now committed to preventing others from getting to that edge. –  Chris Metzler
URL:https://sfindie.com/fest/the-s-word-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Documentary
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180205T211500
DTEND;TZID=America/Los_Angeles:20180205T211500
DTSTAMP:20260403T163915
CREATED:20171222T210115Z
LAST-MODIFIED:20180117T044005Z
UID:4153-1517865300-1517865300@sfindie.com
SUMMARY:BLACK CAT
DESCRIPTION:TICKETS for BLACK CAT at Roxie Sat Feb 3\, 915p HERE\nTICKETS for BLACK CAT at Roxie Mon Feb 5\, 915p HERE\n  \nDirector Peter Pardini – 2017 USA 85 min Bay Area Premiere – Mockumentary   \n  \nBlack Cat is a satire on true crime documentaries gone wild.  When a near-decade old murder case involving a movie star threatens to reopen\, childlike adult Duke Moody decides to make a documentary\, financed by his mother.  Take a comedic thrill ride following a cast of zany characters\, twists and turns and cold-blooded murder. – Chris Metzler
URL:https://sfindie.com/fest/black-cat-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180205T211500
DTEND;TZID=America/Los_Angeles:20180205T211500
DTSTAMP:20260403T163915
CREATED:20171222T185614Z
LAST-MODIFIED:20180125T221215Z
UID:4104-1517865300-1517865300@sfindie.com
SUMMARY:RUKUS
DESCRIPTION:TICKETS for Rukus at Roxie Fri Feb 2\, 7p HERE\nTICKETS for Rukus at Roxie Mon Feb 5\, 915p HERE \nDirector Brett Hanover – 2017 USA 86 min World Premiere – Hybrid Documentary/ LGBT/Punk/Furries \n  \nFurries\, filmmakers\, kinksters\, survivors. Ruckus is a fictionalized personal account of coming of age in Memphis at the turn of the century. This feature-length video project is based on work begun in collaboration with furry artist Rukus\, that was left unfinished after his death in 2008 \nA hybrid of documentary and fiction\, Rukus is a queer coming-of-age story set in the liminal spaces of furry conventions\, southern punk houses\, and virtual worlds. Rukus is a 20-year-old furry artist\, living with his boyfriend Sable in the suburbs of Orlando\, Florida. In his sketchbooks\, Rukus is constructing an imaginary universe—a sprawling graphic novel in which painful childhood memories are restaged as an epic fantasy. He crosses paths with Brett\, a 16-year-old filmmaker with OCD\, who is working on a documentary about kinky subcultures in spite of his own anxiety. After an interview leads to an online friendship\, their lives entwine in ways that push them into strange\, unexplored territories. \nBrett Hanover was last at IndieFest in 2008 with the excellent Bunnyland.- Jennifer Junkyard Morris \nCo-presented by FRAMELINE
URL:https://sfindie.com/fest/rukus-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180205T190000
DTEND;TZID=America/Los_Angeles:20180205T190000
DTSTAMP:20260403T163915
CREATED:20171228T141149Z
LAST-MODIFIED:20180117T004631Z
UID:4223-1517857200-1517857200@sfindie.com
SUMMARY:Shorts 1: What You Don't Know About Me
DESCRIPTION:Shorts 1: What You Don’t Know About Me: Dramatic Narrative Shorts  \nTop-notch dialogue distinguishes these stories about the difficulty of being understood. Contains some violence. \nTICKETS for SHORTS 1 at Roxie Feb 3\, 2p HERE\nTICKETS for SHORTS 1 at Roxie Feb 5\, 7p HERE\n  \nTwenty Minutes \nGabriel Wilson\, USA\, 12 min \nEric\, a thirty-year-old man with Asperger’s Syndrome\, prepares to move to an apartment twenty minutes away from his family home. Encouraged by the community around him\, Eric feels ready\, until loneliness sets in and he is left alone to battle his anxieties. \n  \n  \n  \n  \n  \n  \n  \nTwo Strangers Who Meet Five Times \nMarcus Markou\, UK\, 13 min \nTwo strangers meet at five key turning points over the duration of their lives. Initial conflict gives way to compassion and eventual friendship. \n  \n  \n  \n \nCounterfeit Kunkoo \nReema Sengupta\, India\, 15 min \nEscaping an abusive marriage\, Smita must find herself a house to rent in Mumbai. She is hard-working\, honest and respectful–the ideal tenant—except for one glaring flaw: She is a middle-class Indian woman without a husband. \n  \n \n  \nNew Neighbors \nE.G. Bailey\, USA\, 10 min \nWhen a mother and her two sons move to a new\, mostly white neighborhood\, she is determined to keep her family safe\, even if it means knocking on every door in town. A resourceful and unique approach to the Black Lives Matter dialogue. \n  \n  \n  \n  \n  \n  \n  \n \n  \nSeven Minutes to Closing \nApril Abeyta\, USA\, 15 min \nTwo strangers connect in the final minutes before an asteroid impacts and destroys earth. \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n \nOutlines \nEllie Rogers\, UK\, 16 min \nA teenage girl\, Sarah\, returns to her father’s apartment earlier than expected\, only to come face-to-face with his hired escort. In the moments that follow\, distrust and prejudice give way to understanding\, and maybe even friendship. \n  \n  \n 
URL:https://sfindie.com/fest/shorts-1-what-you-dont-know-about-me-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Shorts Program
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180205T190000
DTEND;TZID=America/Los_Angeles:20180205T190000
DTSTAMP:20260403T163915
CREATED:20171222T201655Z
LAST-MODIFIED:20180124T194914Z
UID:4141-1517857200-1517857200@sfindie.com
SUMMARY:MOVING PARTS
DESCRIPTION:TICKETS for MOVING PARTS at Roxie Sat Feb 3\, 7p HERE\nTICKETS for MOVING PARTS at Roxie Sat Mon Feb 5 7p HERE\n  \nDirector Emilie Upczak – 2017 Trinidad and Tobago 77 min West Coast Premiere – Drama/Narrative  \n  \nThis quietly gripping drama puts a fresh spin on the subject of human trafficking by introducing us to a young Chinese woman smuggled into Trinidad and Tobago. After the death of her father\, Zhenzhen hires a smuggler to take her to the Caribbean island where her brother\, Wei\, works in construction. Wei gets her a job at a restaurant\, but when the smuggler demands more cash\, the delicate beauty is forced into a compromising position. Help comes unexpectedly from Evelyn\, who runs an art gallery in the neighborhood—but the contrast between the dark rooms above the restaurant and the blindingly white gallery calls everyone’s innocence into question. – Chris Metzler \n\nCO-PRESENTED BY THE CENTER FOR ASIAN AMERICAN MEDIA \n  \n 
URL:https://sfindie.com/fest/moving-parts-2/
LOCATION:Roxie Theater\, 3117 16th St\, San Francisco\, CA\, 94103
CATEGORIES:Feature Narrative
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